02 January, 2011

Best game of 2010



Ladies and Gentlemen: It’s a tie!

Interestingly the two games I consider the best of 2010 are absolute polar opposites in terms of technical prowess and polish.
First up, Heavy Rain is without one of the most technically amazing games I have ever played. An unravelling mystery with jaw dropping graphics and environments, its storyline draws you in and refuses to let go. On my first go, I literally played it for 5 hours straight. I had to turn it off, for the sake of my long suffering girlfriend, only to have the overwhelming desire to turn my machine back on for another go. Eventually she admitted she too was getting sucked in and wanted to know more, so I turned it back on!

Heavy Rain is certainly cinematic. At times it feels as if you are not playing a game at all, merely interacting with a story. Perhaps something it has been criticised for, it doesn’t matter. The characters are so three dimensional because of the stellar voice acting and script it feels like a movie. It’s precisely the kind of games that need making in the 21st century.

The other…oh boy! Deadly Premonition is the kind of game that you probably shouldn’t like. Set in a small town of Greenvale an FBI detective is sent to investigate a serial killer. Our protagonist, Agent York is an arrogant and generally unlikeable character. The other NPCs and townsfolk have an awkward relationship with FBI Agent York, not really knowing what he is about. The cut scenes are comedy gold due to the badly written / translated storyline and genuinely offer laugh out loud moments. The storyline is a nonsensical mess and the voice acting is wooden and awkward when compared to the likes of Heavy Rain. Remember I was talking about cinematic storylines, jaw dropping graphics? Well, that doesn’t really apply here. It looks and feels like a ten year old Dreamcast game. But that’s part of the charm. Some games have lost the point as the technology has improved. Games are supposed to be entertaining and fun. Despite some of its foibles and technical shortcomings Deadly Premonition does just that. Its self aware, completely ridiculous and low budget. But it has a strange unshakeable charm. It takes me back to an age where gaming didn’t take itself too seriously and wasn’t trying to be anything but a game. This might sound contradictory considering my other choice. They are both as good as each other. One cost millions to make, the other probably about £500. It doesn’t matter, they are both absolute gems.


Other honourable mentions:


Enslaved: oddessy to the west
Castlevania: Lords of shadow
Lost Planet 2 (yes, I liked it! I think I am alone on this one)

11 December, 2010

ALBUM REVIEW - Pow Pow - Last Days on Earth


We fade from black into a vast, futuristic cityscape at night. Behind a ravaged and war torn suburbia sit rows of skyscrapers, lit with mysterious blue neon’s. Suddenly a helicopter swoops into shot, the music rises as it reveals our protagonist sat staring out of the window, loading his gun and preparing for battle... Initially, Last days on earth is like a musical score to a 1980s action sci-fi flick, perhaps with Kurt Russell in the lead. It sometimes feels distinctly familiar and brings back memories of watching VHS tapes of dodgy sci-fi movies and the wobbly synth laden soundtracks that accompany them.

Unfortunately, this heady nostalgia trip is shattered by a large peppering of slightly uncomfortable Euro Synth Pop. The Beach is more science class than science fiction. Offering cheesy surf guitars and swirly keyboard stabs. It’s a steady decline from here on. Solar Eclipse is the first time we hear vocals, disguised with a vocoder it sounds like a track Daft Punk would be embarrassed to release, lyrically and sonically it’s a burden the album can really do without. Apollo has potential and is a good listen until that surf guitar returns with its accomplice, the clichéd sci-fi “whooshing noise”.

When Pow! Pow! get it right its like listening to a movie score by Vangelis and Kraftwerk, the enjoyment is marred by the sudden realisation that the majority sounds like a rearrangement of music you would find on an Open University science video.

4/10

ALBUM REVIEW - J.C. Satàn - Sick of Love


You shouldn’t judge anything by its cover; this saying should be applied to records just as well as anything else. Take Sick of Love as a prime example, although the cover looks like a drawing mustered up by a sexually frustrated teenager, the contents are fortunately slightly more mature.

Sick of Love is a hazy concoction of songs about morning after sex, drug hazes and fighting one’s way out of hell (really), these are actually more appealing and less contrived than they sound on paper. On the surface, reverberated feedback, wonky guitar lines and hard to make out vocals sound like a creation born from a relationship between Jesus & The Marychain and the Black Lips. If you are able to navigate through this thick smog of noise Sick of Love will slowly reveal some surprisingly infectious killer hooks. Think beach boys harmonisation with Death From Above 1979’s distorted intensity.

Curiously, despite the numerous comparisons, J.C. Satàn do manage to offer a sound that they can call their own. Sick of Love will resonate, or repel. If you’re into music that sounds like it was recorded in a derelict bathroom with one microphone in the ceiling, it’s probably your thing. If however you require a little more production spit and polish and musical finesse, it might be best if you approach with caution.

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Student Tuiton Fees




I always loved the ideal of nonviolent direct action. The trouble is; there has never been much for me to protest about. Throughout my university education, it was a relatively smooth ride, there were times where I was frustrated by Labours decisions and grumbled about them in the student union over a very cheap pint, but clearly not enough for me to go hammering the doors down and waving a placard. I am a self confessed armchair activist because I know, for a certainty that no matter how much protesting and shouting, nothing will change. The vast majority on protest marches walk away, sulking in the rain about how they want to make a difference, and that they aren’t taken “seriously”. I’d rather spare myself of this misery, self pity and soaking, and just moan about it to anyone who will listen in the comfort of my own home.

Despite never partaking in protests, I do feel that it is an appropriate, if usually useless way of showing disappointment against the governments idiotic decisions. The recent London protests about the rise of the tuition fees should be applauded. A 50,000 strong crowd descended into London, knowing that something has to be done, even if it wont change a thing. Of course, this protest was intended as a relatively calm demonstration of people’s anger at the coalition government’s decision to hike university fees upwards of £9000 a year.

I missed out on a free university education by one year. Prior to 1998 more or less anyone could attend university without having to incur student debt and loans. Of course, I wasn’t deterred by having to get into debt to fund my education, it was for me a necessary evil. I needed to get out of my hometown and experience life away from the shackles of my parents. Should students be angry at this price hike, considering how much it can cost to fund a university education in places like the United States? Compared to our American cousins, £9000 a year tuition fees are chump change. Also consider that university fees have not risen with the rate of inflation. They were the same when I was at university as they are now. We are talking 11 years! Maybe the increase shouldn’t surprise anyone, but it’s the principality that stings.
I can understand the anger, of the 35 people that were arrested by rioting. A small minority of anarchists that echoed the feelings of anyone currently studying, but were too afraid of being arrested. Although I don’t condone this type of violence, I do feel that on this occasion it felt like a euphoric uprising against the tyrannical and dickensian nature of the tory government. I don’t agree with the method of the madness, but I understand the ideological mindset of smashing the conservative HQ. Pure, animalistic anger at not only the Conservatives, but the Liberal Democrats backstabbing, bait and switch tactic to gain votes.

It is a given that the Conservative government want university education to be elitist. At the start of their reign a clever and sneaky cut in university funding provided them with the foundations. With university funding cut, this meant they had to offer less places, so only students with the best grades can get enrolled. To recoup some money, university fees are then increased, forcing the poor and statistically (and stereotypically) less able out of the equation. The have simultaneously coupled this with the introduction of mandatory education until the age of 18, starting in 2012, the same year that the university fees increase. Making school leavers who want to go into employment no choice but to attend an educational establishment for another two years, regardless of if they want to or not. This will then drive down unemployment statistics in time for the next election. It’s a sly temporary fix and a vote winner. Of course, the shades of grey in between the black and white clearly show it’s only introduced because the jobs are not there for school leavers because of the recession, but as long as it keeps them off benefits, why should they care? When the reluctant students come out of college, it will be 2014 after the next election. Forget if the students don’t get jobs when they leave college, if the conservatives don’t win in the next election, it becomes someone else’s problem.

The liberal democrats haven’t had a chance in parliament for decades; Nick Clegg stated in the Lib Dem manifesto that he wanted to see no hike in tuition fees if he was in power. Certainly a bold and ambitious selling tactic for the millions of students that voted for him. He was the British version of Barak Obama, albeit significantly less charismatic and dynamic. But the only candidate that appeared on the surface to actually care. Now he is David Cameron’s puppet, he knowingly stabbed those millions of voters in the back to stay in number 10.

There is an other side to this coin however. The condem governments manifesto on the student tuition fees debacle was recently picked apart on breakfast television. Nick Clegg himself stated that the tuition fees are not payable immediately, merely added to the student loan in which the student applies. Upon graduating the students don’t pay the fees back until they are earning £20,000 a year so graduates only pay back when they can afford to do so. Graduates from disadvantaged backgrounds pay less back a month and there is a progressive interest rate for all. If this is true, an average student of graduating will owe the student loans company approx. £37,500. This is more than double what I incurred during my three years of university loans and bank overdrafts. The difference is, graduates from my generation had to pay back when they earn £15,000. Not a huge difference, granted, but the principle of getting that much in debt by the age of 21 is frankly terrifying. I balked at the notion of eventually having to pay back my graduate debt and struggle to get on the housing market because of it. If the average graduate does have over 30k debt, we are going to end up in a society where only the rich go to university, or students study in Europe, where the education is arguably better, cheaper and the government gives more of an incentive.

All this taken into consideration can the riots be justified?

I’m on the fence about this. I can understand the anger, but in reality it has done students no favours. Perhaps even, set them back 20 years. It has taken students a long time to shake the perceived public opinion of them being lazy, sponging layabouts. I think the general public will be sympathetic to the cause, but not the solution. Despite not liking the monarchy, I’m fairly sure that getting Camilla and Prince Charles involved was slightly moronic also.

The conservative government sold their campaign on fixing broken Britain. If anything they have just made the cracks larger and deeper.

21 October, 2010

ALBUM REVIEW - Lupen Crook - The Pros & Cons of eating out



Lupen Crook has apparently been on a voyage of discovery and misadventure to craft this latest release. Although anyone who has previously experienced his dark lyrical mastery and witnessed his hypnotic live performances will confirm that perhaps this is always the case. What is immediately apparent is that The Pros and cons of eating out is equally a voyage for the listener. Throughout the 41 minute journey we are exposed to sounds spanning the entire spectrum of musical styles, from punk, baroque, ska, folk, sea shanty’s, grunge and surprisingly, tinges of musical theatre, all stitched together and crafted with such precision they never become contrived or irksome.

Gorillaz-esque beeping starts the album in Fantasist in March, before metamorphosing into a combination of a Kraut Rock stomp-along and Mariachi brass. A polar opposite, Will o the Wisp provides an unexpected, but welcome ‘sea shanty’. Dorothy Deserves whisks us into a sing along that is equally infectious as it is brilliantly bananas, sounding like a track from a stage production, on speed. Recent single, World’s End gives us Crook’s more sensitive side, a great track and certainly the most radio friendly on here. As a single it works perfectly, mixed in halfway in the album however it feels like a mere distraction compared to the stronger tracks that book end it. Devils Son and Scissor Kick juxtapose this and demonstrate the albums more musically aggressive, immediate and punchy side. Pirates Wife on the other hand is a beautiful and haunting melancholy that paints a picture of an imbedded narrative.

The Pros and Cons of Eating Out is more produced and less stripped back than its predecessor Iscariot the Ladder. Interestingly, it is a mixture of both this and his debut, Accidents Occur Whilst Sleeping. A combination that clearly works here, the songs feel more polished and refined yet all of the charm and integrity remain.

With an artist this unique and uncompromisingly brilliant it seems frankly criminal he has been in the shadows for so long. Lupen Crook is a true original and an exceptional talent, a one off in the truest sense of the word. Hopefully, surely even – The pros and cons of eating out will finally lift this veil of relative obscurity and give him the break he really needs. If you don’t find something to love in here, you are probably dead inside and don’t deserve your ears.

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